In New York, while Piano cannot point to a specific I-word moment [«impossible»], in almost every aspect the client's support for unconventional ideas enabled him to produce a building that, despite its relatively unremarkable appearance (as expressed by those who wanted Gehry's flamboyance) is like no other high-rise on the island.
Rob Gregory, na sua crítica ao edifício do New York Times, de Renzo Piano, na Architectural Review. Uma crítica ao edifício do New York Times, de Renzo Piano, na Architectural Review: se isto não é a felicidade então não sei o que é.